LANEIKKA

Hi ya : )
Actor. Model. Stylist. Creative. Wow.

 Can I literally say I'm anything else? 

I've been blogging since I was 12. And I love 
collaborating with others, creating content that's
a lil quirky. 
I also run a vintage clothing store called 
Grunge Children Store.

Collaborations:
undergroundgrunge@hotmail.com
Direct Enquires: 
laneikkadenne@hotmail.com

Instagram: 
@grunge_children
Tumblr: 
undergroundgrunge.tumblr.com

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Theatre 2 see in Sydney: ASYLUM

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A challenge to the whirlwind obscurities of the Australian legal system and how far one will go to seek forever Asylum. I had the brilliant opportunity to endure the journey’s of five everyday Australian’s road to moralistic success through Ruth Fingret’s new work ‘Asylum.’ This work deals with the issues of disconnection, miscommunication, dishonesty and how whilst battling these issues all people just want to protect themselves and what’s important to them. The stylistic edgy, clean cut, fast-pace approach to these stories was juxtaposing, but intoxicatingly empathising to building these characters blackout by blackout.  The space of Comber Street studios (Paddington, Sydney) further inspires the sterile conditions endured through the highs and lows of the multilayered plot. Combining this hostility with the intimate performance space, intensified the silent aggression of each scene. By somehow still achieving quite comical moments through the directional work of Richa
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Theatre to see in Sydney: Mauritius

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Hey Grunge Kids,  Last Friday I was invited to the Australian Premiere, (presented by Sure foot productions) of Theresa Rebeck’s ‘Mauritius’ directed by Richard Cornally. The production is on at New Theatre in Newtown from the 12th-29th July and it’s one not to be missed! Mauritius is an American narrative of heightened stakes and greed, fuelled by egotistical drive. The plot had the option to be a dry, beige memoir of an envious stamp collector and a feuding sister rivalry. But the lighting and set design, combined with the sublime directorial work forced audience to engage in the dark issues addressed through the minimalistic approach in text.  I especially enjoyed the performance of ‘Mary’ (played by Emma Louise) who doubled as the dialect coach for the flavour-full accent work in the show. It could be as simple as the scratch of her leg or an anxious pull of her finger, but Emma’s naturalism pulled off character Mary’s ‘dying woman’ facade perfectly. I found most of the supporting
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A 60s House Wife with Bad Taste In Art

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Hey Grunge Kids :) I’m back ! ! ! Standing next to some really cheesy art in a very ‘if Bruce Springsteen had a lovechild with freaks and geeks’ outfit.  You can never go wrong with a pair of Jerry Seinfeld level high waisted pants (god love ya Seinfeld) and a funky turtleneck. It makes me wish to live in the years of the 70s.... and 90s...  You can get this entire look from Grunge Children Store ❤️ Instagram: @grungechildrenstore (FB is the same name x)  or through this link: depop.com/laneikka  Mention “BLOG” to get 10% off :)  Cheers! Laneikka xoxoxo
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